As a Fine Art student, I work primarily with ceramic, alongside writing and photography. My practice is process-led and often returns to the same forms—particularly chains, shackles, and casts taken from domestic spaces such as fireplaces and keyholes. These works developed from ideas I could articulate internally, but which needed to be expressed through the physical language of clay. Through repetition and material, I explore patterns connected to home, memory, and lived experience, allowing them to shift over time. More recently, my work has focused on corrosion and breakage, with chains becoming rusted and fragmented. Alongside this, I write instinctively as a way of processing, where returning to the writing—or not—is part of the process itself. I’m currently interested in how material and repetition can hold and transform experience without needing to reach a fixed resolution.