My visual language is built on tension and wonder: the raw, unapologetic weight of brutalism, the mechanical poetry of steampunk, and an obsession with conjuring fantasy worlds that no one has ever seen before. My graduation work reflects this. The first project channels the bold geometry of Vietnamese 20th-century modernist architecture into something visceral and alive. The second hurls Roald Dahl's Fantastic Mr. Fox into a steampunk dimension where copper pipes, fog, and fur collide in unexpected harmony. Spanning illustration, typography, photography, and branding, my practice is rooted in one core drive: to push visual storytelling into uncharted territory. My goal is to bring this vision into film and design because the worlds I build deserve to be seen on screen.