Kasey Renaghan is captivated by unusual, offcut, and imperfect trees which leads her to take away and reuse every part of the material to reveal its true nature in a sculptural form. Her process led practice exhibits a celebration of transience and change; a perfect piece of wood cannot be improved upon, but it can be destroyed to tell you something new about it. Distancing herself from traditional industry and consumerism whilst exploring materials place in hierarchy produces pieces that question matter, material, and materialism. The goal is to suspend viewers in time, questioning which materials are real or fake and how their preconceived ideas affect this.